FabFilter Twin 3

Beautiful new interface and improved workflow
FabFilter has completely redesigned Twin 3’s interface and workflow, making it more immediately accessible, visually informative, and speedy to navigate than ever, and adding new scaling options and a luxurious Full Screen mode for taking its synth programming environment to the spatial extreme. Individual oscillators and filters can now be added and removed as required, every aspect of the filters is accessed and manipulated within a stunning interactive EQ-style display, and the darker color scheme is less tiring on the eyes over long sessions. Responsive per-oscillator oscilloscopes, a beautiful spectrogram, and full visualization of modulation signals throughout the signal path let users see everything they hear, while the floating slot panels group active modulation sources at each target control for collective tweaking.

Improved oscillators and filters
It all starts at the oscillators, and Twin 3 provides four of them — up from Twin 2’s three — with which to build synth sounds of limitless depth and intricacy. Completely overhauled and featuring analog-modelled drift for subtle random pitch and phase fluctuation, as well as pulse width modulation, hard sync, and phase sync, Twin 3’s oscillators are flawless in their analog authenticity. Polyphony has been given a boost, too, with an upgraded maximum of 64 voices — double the 32 of Twin 2 — and the Per Oscillator polyphony mode, which steps through the oscillators with each incoming note. Twin 3’s filters have been doubled in number from two to four and similarly enhanced, with new vintage-style Bell, Shelf, and Notch types delivering characterful non-linear distortion, and the 6dB/octave slope option and modulatable Cutoff/Peak Offset knobs opening up even more sound design possibilities. And for anyone demanding the absolute best from their Twin 3 patches, the new 4x oversampling High Quality mode is just a click away

Massive FX section and new Arpeggiator
Twin 3 introduces a supercharged new FX section, comprising six colorful processing modules for transforming and polishing signals. Shape dynamics and apply saturation with Compressor and Drive effects; create space and generate rhythmic echoes with Reverb and Delay; and thicken and widen the sound with Chorus and Phaser. Needless to say, every FX parameter is available as a modulation target, so users can really bring them to life using Twin 3’s Envelope Generators/Followers, XLFOs, XY controllers, Sliders, and MIDI sources. The new Arpeggiator, meanwhile, provides endless creative inspiration, with host sync, Groove/Legato, and Rate Offset controls, and the gamut of note value and order options.

Full-featured preset browser
Replacing the simple menu of previous versions, Twin 3’s slick new preset browser makes navigation and management of factory and user patches quick and easy. Within the browser’s streamlined interface, presets can be assigned freely editable tags for filtering within the Search engine, set as favorites, and given author names and text descriptions. If anyone has Twin 1 and/or 2 installed, then all of their presets will appear in Twin 3 as well.

Vintage phatness, out of the box
Twin 3 is very easy to program. With its four vintage-sounding oscillators, versatile filters and built-in, high quality effects section, it's a breeze to create unique sounds. Using the new preset browser, you can type to search, tag presets and mark them as favorite, making it easy to find the sound you need.

Easy drag-and-drop modulation
With all the XLFOs, EGs, XY controllers, envelope followers and MIDI sources you will ever need, Twin 3 offers practically unlimited modulation possibilities. Even the built-in effects can all be modulated! Creating new modulation connections could not be easier: just drag and drop.

FabFilter goodies
Finally, you get all the usual FabFilter goodies: perfectly tuned controls, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, NEON and SSE optimization, and much more.

FEATURES

• Virtual analog synth featuring four flexible oscillators, four filters, six FX modules, and a vast modulation system with a wealth of flexible source signal generators, drag and drop source/target routing, and no limit to the number of modulation assignments that can be made

• NEW! Fully redesigned, greatly simplified interface with easier workflow

• NEW! Added oscillator, for four in total

• NEW! Two added filters, for four in total

• NEW! Completely overhauled modulation system with redesigned modulation sources, and floating slot and FX panels

• NEW! All-new FX section, housing Reverb, Delay, Chorus, Phaser, Drive, and Compressor modules

• NEW! Arpeggiator with Groove/Legato controls, note order, latch options, and more

• NEW! Full-featured preset browser, with tags, favorites, and search and filter functions, and new factory preset library

• NEW! Per Oscillator polyphony mode: each incoming note triggers a different oscillator

• NEW! Bell, Shelf, and Notch vintage-style EQ filter shapes

• NEW! 6dB/octave filter slope option

• NEW! Modulatable filter Cutoff/Peak Offset knobs knobs, for adjusting all filters at once

• NEW! High Quality mode — 4x oversampling

• NEW! Transient mode turns Envelope Followers into transient detectors

• NEW! Curve adjustment handles for EG Attack, Decay, and Release stages

• NEW! Slider mode (vertical-only operation) and Range setting (toggles between bipolar and unipolar behavior) for XY controllers

• NEW! Hide all modulation sources except for XY controllers and Sliders at a click

• NEW! Native sustain pedal support

• NEW! Resizable interface with Full Screen mode

• IMPROVED! Even better oscillator and filter sound quality, with analog-modelled drift

• IMPROVED! Maximum number of voices doubled from 32 to 64

• IMPROVED! Lower minimum Envelope Generator Attack, Decay, and Release times

• IMPROVED! Maximum number of XY controllers/Sliders increased to six

• IMPROVED! Envelope Generator Threshold, XLFO Balance, and Frequency Offset made available as modulation targets

• IMPROVED! Modulation sources can be renamed

• IMPROVED! Maximum number of modulation slots increased to 100

• IMPROVED! Legato mode for MIDI-triggered XLFO

• IMPROVED! Range options added to MIDI Sources: Negative (-1 to 0), Centered (-1 to 1), and Positive (0 to 1)

• PLUS! All the usual FabFilter features users have come to expect: perfectly fine-tuned knobs and controllers, interactive MIDI Learn, undo/redo and A/B switch, Smart Parameter Interpolation for smooth parameter transitions, an extensive help file with interactive help hints, sample accurate automation, NEON and SSE optimization, and more

System Requirements

Mac
OS X 10.13 or higher (64-bit only)
CPU: Intel or Apple Silicon processor
Plugins: VST-2, VST-3, AU, AAX

Windows
Windows 11, 10, 8, 7, or Vista (32-bit and 64-bit)
Plugins: VST-2, VST-3, AAX